Lisser Art Museum In The Netherlands. Petersen Tegl Bricks In Forest Tones

Lisser Art Museum In The Netherlands. Petersen Tegl Bricks In Forest Tones
Lisser Art Museum In The Netherlands. Petersen Tegl Bricks In Forest Tones

Video: Lisser Art Museum In The Netherlands. Petersen Tegl Bricks In Forest Tones

Video: Lisser Art Museum In The Netherlands. Petersen Tegl Bricks In Forest Tones
Video: Petersen Tegl - Lintels 2024, March
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The Lisser Art Museum, or LAM, is a contemporary addition to the historical environment. It is located in the old part of the Keukenhof park. Better known is the new half of the park, one of the world's largest flower gardens, where hundreds of thousands of tourists from all over the world gather every spring to admire tulips, hyacinths and daffodils: the entrance pavilion of this park, designed by Mecanoo, is also made of Kolumba bricks - sand color K71 … However, the old part also has a lot to see. The estate appeared there in the 17th century, and in the 19th century the park was transformed from a regular into a landscape one, and the manor house from a classic villa into a neo-Gothic castle. There is also a natural border between the sandy forest and the open dunes: the sea is very close.

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All these circumstances and the historical "layers" of KVDK Architecten should have been carefully considered: after all, the Keukenhof estate is especially protected by the state, and since 2010 it has had the status of a "park of culture". It was assigned within the framework of the new masterplan, which included the museum object - without specifying, however, what it should be. The architects chose a neutral, relatively compact neo-modernist form - so that their building would not compete with historical buildings, would not seem to be antique and would not disturb the existing landscape. Moreover, the 17th century embankment left over from the terraced park - it was on it that the museum was erected - was reconstructed during construction and freed from trade pavilions.

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    1/8 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    2/8 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    3/8 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    4/8 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    5/8 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    6/8 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    7/8 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    8/8 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    1/4 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    2/4 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    3/4 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    4/4 Lisse Art Museum. The entrance to the museum is located under a cantilever arm, where a wide staircase leads to the exhibition hall. The ceiling in the large glazed lobby is tiled with the same Kolumba bricks as the facades Photo © Paul Kozlowski / Courtesy of Petersen Tegl

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    1/7 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    2/7 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    3/7 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    4/7 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    5/7 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    6/7 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    7/7 Fig 4. A narrow passage goes between the two buildings of the museum. It is marked on both sides by columns of special-format tapering bricks Photo © Paul Kozlowski / Courtesy of Petersen Tegl

The brick building of the LAM Museum appears among the trees without warning, there are no "buffer zones" around. One of its buildings is placed on a historical embankment and seems to float above it, although in reality it rests on four columns in the glazed lobby. The second is built into the embankment itself. There is a narrow passage between the buildings that allows visitors to the park to walk through the embankment: there are “showcases” through which you can see the exhibits and become interested in the museum - this is a reference to the customer, the VandenBroek foundation, established by the owners of the Dirk supermarket chain. For the same reason, all works of art from the collection of the Lisser Art Museum are in one way or another related to the theme of food and nutrition.

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A special challenge for the architects, who had previously worked with the same customers on their supermarket projects, was to fit the museum into the natural environment. Therefore, the concrete columns supporting the upper building in the transparent vestibule are covered with bark to visually blend in with the trees. The cladding of facades became even more important in this case. “We collected plants and other natural objects from the park in order to find the right shades and stay in harmony with the color book of nature itself,” says architect Ari Korbe from KVDK Architecten. The Kolumba handmade bricks in colors F146 and F145 specially designed for the architects have become ideal in tone to the almost forest surroundings: warm reddish shades are in harmony with summer nature, but they look especially appropriate among the autumn foliage.

Музей искусств Лиссе. Осенью, когда листья становятся золотыми и красными, нюансы кирпича отражают природное окружение уже иначе, по-новому Фотография © Paul Kozlowski / Предоставлено Petersen Tegl
Музей искусств Лиссе. Осенью, когда листья становятся золотыми и красными, нюансы кирпича отражают природное окружение уже иначе, по-новому Фотография © Paul Kozlowski / Предоставлено Petersen Tegl
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Музей искусств Лиссе. Планы первого и второго этажей, разрез © KVDK Architecten
Музей искусств Лиссе. Планы первого и второго этажей, разрез © KVDK Architecten
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In addition to nature, the red-brick walls of the Keukenhof castle became a source of inspiration for the architects: after all, it is very close and can be clearly seen from the inside of the museum, from the glass bridge - through the window in the southwest corner.

The elongated brick format played an equally important role: it emphasized the horizontal composition of the museum. For large façade surfaces, a “wild”, asymmetrical brickwork was chosen. The cornice and perimeter of the windows are marked with bonded masonry.

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    1/5 Lisse Art Museum. Brick length 528 mm allows you to create very beautiful perforated masonry. Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    2/5 Lisse Art Museum. 528mm long brick allows for very beautiful perforated masonry Photo © Paul Kozlowski / Courtesy of Petersen Tegl

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    3/5 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    4/5 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    5/5 Lisse Art Museum. For large façade surfaces, a “wild”, asymmetrical brickwork was chosen. The cornice and perimeter of the windows are marked with bonded masonry. Photo © Paul Kozlowski / Courtesy Petersen Tegl

The brick acquired particular importance in the building built into the embankment. It comes out with an energetic angle, and its "edge" is made of special format Kolumba bricks. The capabilities of Petersen Tegl bricks have also been used in the tracery wall parts, which add variety to the LAM exterior - especially at night, when artificial light is pouring through them. The 50,000 Kolumba bricks on the facades are complemented in the interior by the same brick masonry on the lobby floors.

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    1/5 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    2/5 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    3/5 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    4/5 Lisse Art Museum Photo © Paul Kozlowski / Courtesy Petersen Tegl

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    5/5 Fig 12. In the northeast, a 28-meter wall hides a passage from the park. The surrounding greenery is visible through large openings Photo © Paul Kozlowski / Courtesy of Petersen Tegl

The laconic volume of the building - no other could have appeared in such a rich historical and natural environment - makes the use of Kolumba visually and tactilely richer. Each handmade brick is unique, has its own texture, shade, and tan marks. The masonry from it looks like an expensive tapestry: restrained, but noble. Architect Ari Korbe explains: “When you look (from the museum) outside, you can feel the length of the building and the bricks. The building has a fairly simple shape, but its materiality is crucial."

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LAM Museum, Lisse, Netherlands

Client: VandenBroek Foundation

Architects: KVDK Architecten

Contractor: IBB Kondor B. V.

Completion of the project: 2018

Brick: and special colors of Kolumba bricks 528x108x37 mm: F146 (70%) and F145 (30%)

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