This experimental project is based on the concept of "musical architectonics", the forms of the building are inspired by the sketch "Symphony of Modules" (1967) by the Canadian composer of Hungarian origin Istvan Anhalt, preserved in the book "Notations" by the American composer John Cage.
The building consists of a "base" with the main premises of the gallery, on which three pavilions are erected: an entrance (the visitor climbs to him along the outer staircase, and then descends from it down into the halls), a living room and a room for receptions, etc. Roof The “base” has been transformed into a shallow reservoir, which determines both the lighting of the galleries below through the openings in the roof, and the appearance of the pavilions.
The walls of the "base" of concrete are replaced inside by smooth white plaster. The pavilions are sheathed with copper sheets on the outside and wood on the inside. The location of the openings in the pavilion floors is dictated by the Fibonacci sequence.
The main idea of the project is that the space is "silent" until light penetrates there and "turns on" it.
