For the third week already, the "Working Material" exhibition has been traveling to new places!
For the first time, the exhibition was presented at the forum of high-rise and unique construction "FORUM 100+" Russia, held for the second year in a row by the Guild of the Urals Builders in Yekaterinburg from 23 to 25 September.
The landmark event was attended by all the leading developers, buildings and architects of the Ural-Siberian region, government officials and leading Russian architects, including Andrey Bokov, Nikita Yavein, Anton Nadtochiy, Dmitry Velichkin, Sergey Skuratov.
After that, the exhibition took its place at the International Architecture Festival "Zodchestvo-2015" at the Central House of Artists in Moscow from October 1 to October 3.
Since October 5, the exhibition has been housed in the courtyard of the Central House of Architects at the headquarters of the Union of Architects of Moscow at 7 Granatny Pereulok
Working material in architecture is something that is not subject to presentation: sketches, search layouts, working drawings. Working material in construction is what is most popular in a particular field of activity. Drawings of working documents, which constitute the main block of publication of each issue of the TATLIN PLAN magazine, are the working material of architects in the design of new projects. ARCH-SKIN ceramics are a working material for architects in real construction. Both are necessary for the modern architect like air. In the detailed design, new architectural concepts are laid, ARCH-SKIN ceramics are a guarantee of their flawless implementation.
Today, 16 of the most striking drawings are presented, one from each published project. Drawings not only reveal the very essence of the project, but are also self-sufficient in their graphics. Echoing the name of the exhibition, the most working material of contemporary Russian architects ARCH-SKIN was chosen as a medium. The drawings are printed on the back of the ARCH-SKIN boards, at the same time representing both the material itself, the front side of which is not covered by anything, and the ideas of the architects, as if hidden, on the “working side” of the finishing material. The sheets are mounted on a specially prepared collapsible wooden base.
