Both entrance spaces are located in the Evropassage business center. The first, white, lobby was realized for the Eurosouvenir company in 2018. On an area of 111 m2, the reception desk goes into the waiting area, and then into the elevator hall.
The lobby is named by the authors "Intercoexistence". Here, the lines - ceiling lamellas - rush behind the main transit flows, and also form "turbulent eddies" in places where functions are concentrated - for example, at a counter or in a recreation area. This is how "coexistence" arises. And the "between" appears thanks to the tween curves tool, that is, "between the lines", in the Rhino program, which was used in the development of this project. That is, the word "inter-coexistence" reflects the connection of the project function with the method of its creation.
Also, the lines here symbolize the era of mass customization, when it is not difficult to embody something not typical, not standard, not rectangular.
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zooming 1/7 Photo © Alik Usik + Sergiy Nikiforov
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The counter is dramatically curved to mark the two employees' workspaces: its shape guides visitors in the right direction, and also allows you to use only the minimum space required. Next to it is a sofa with two poufs, if you can call it pieces of furniture reminiscent of an abstract sculpture. The head of the sofa flows into a staircase leading to the turnstiles and lifts.
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zooming 1/5 Photo © Alik Usik + Sergiy Nikiforov
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zooming 1/7 Photo © Alik Usik + Sergiy Nikiforov
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zooming 2/7 Photo © Alik Usik + Sergiy Nikiforov
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zooming 1/10 © Dmytro Aranchii Architects
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The black lobby "Coexistence" with an area of 450 m2 appeared in 2019. It has in common with white not only some features of the form, but also rich turquoise accents. "Coexistence" here means a combination of different techniques and methods - geometric, architectural, spatial.
In addition to the reception, seating area and the elevator lobby, there is a cafe and social space. They are placed before the turnstiles, which is especially convenient: there employees can calmly talk to their guests.
The lines here are drawn not only by wooden lamellas on the ceiling (reinforced with lamp tubes), but also by a pattern on a wear-resistant carpet. Luminaires descend below in crowded areas and key functional points.
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zooming 1/7 Photo © Alik Usik
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In a double-height space along the main transit route, there is an installation of 512 ball-lamps. They can change their color and react to human movement, and it is not obvious: he will have to puzzle over how this interactive scheme with artificial intelligence works. There is another installation outside the window - made of hexagonal scales: it is set in motion by the wind.
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zooming 1/6 Photo © Alik Usik
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zooming 1/5 © Dmytro Aranchii Architects
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